One of the first gifts I received from my grandson, CJ, was his framed eighth grade self-portrait. He filled the center of a twelve by sixteen inch paper canvas with his life-size face, neck and shoulders, probably as instructed by his teacher. The background is a collage of his own black & white photos, trees and fences, angled every which way. The drawing portrays what he looked like at thirteen years old.
Except he painted himself cobalt blue.
This painting hangs from a hook on the wall-to-wall bookcase in my living room. CJ is fair-skinned with reddish-blonde hair. I’ve never asked him why he painted himself cobalt blue. As far as I know, he wasn’t imitating Picasso’s blue period. No one knew about the blue people of Kentucky until the 2019 publication “The Book Woman of Troublesome Creek.” After hearing so many ads for Blue Man Group on TV, CJ expressed interest in seeing them live on stage. But it was an interest, not an obsession.
![]()

Cobalt blue, used for centuries by the Chinese for their blue and white pottery, is the epitome of coolness; dark, deep, and mysterious. It’s the color of the evening sky in winter, clear twilight boosted by the unseen sun from below the horizon. CJ’s not the only creative to fancy cobalt. J. M. W. Turner, Renoir, Claude Monet, and van Gogh all favored its compatibility with other colors. Remember Maxfield Parrish’s famous Daybreak? He used cobalt blue mixtures for the skyscape.
Public opinion polls show blue as the favorite color of both men and women. And yet, a case of the blues refers to feelings of sadness. My parents used the term, the blues, to announce their alcoholic hangovers.
Thanks to old African American traditions, the blues generally signify sadness without despair. Pastor Otis Moss III of Trinity United Church of Christ in Chicago preaches about a blue note faith, one that’s rooted in letting dark times exist side-by-side with hope. Moss teaches his congregation to let these dark moody blues move around them while they practice dancing in the dark. This practice keeps the blues from turning to hopelessness and death by despair.
For the past ten years CJ’s self-portrait has hung where I see it everyday. He’s melded into my unconscious seeing. He looks the same to me. But as I write this and inspect him further, I see the cobalt blue has faded to dark teal. Teal is a modern color, one not seen in art before the twentieth century. It has no meaning really, except a lot of European TV shows use teal interiors and costumes. It makes the actors look better.
In real life, CJ’s hair has turned brown, but I still think of him as reddish blonde, just as his self-portrait will always be cobalt blue. We don’t see each other often in these isolating covid days. He’s in those perilous twenties where the blues start taking root.
I hope he’s dancing in the dark.



e backyard and that it had bullets in it. I asked if he told his teacher. “No! He’s my best friend!”

The day of the fight, I raged around the house rattling anything in my path when I discovered the husband had walked out with our joint checkbook. He was going to drain the account. I climbed into my 1963 Volkswagen bus and headed to the bank. There he was in the strip mall parking lot slinking into his 1970 Ford Mustang. I floored my van and slammed right into the back of his Mustang. He tore out down the two-lane highway. I pursued him, crashing into him every time he slowed down.
no damage to me or my vehicle. I turned around and drove the speed limit home, parked my van, went inside and fell into bed, believing I had killed him. I slipped into a deep sleep relieved from the cares of all the world.
My favorite place is anywhere there are trees.


What’s this? We never ordered a CT scan.”
Here comes a German Shepherd tethered to a small athletic woman. Great. I’ll have to hold Ozzy tight. I wish he’d stop trying to defend me from big dogs.
“Oh yeah?” says the blonde, “What about you?”
clay castle. Looking atop the turret one sees huge cement eggs. The exterior walls are peppered with what foreigners think are baked dinner rolls, but Catalonians know the scatological Dali created the organic sculptures to resemble excrement pies. The aphrodisiacs inside include Dali’s surrealistic art, holograms, a vintage inter
active Cadillac and his crypt. We frittered away longer than planned and in the end found Secretary Riley and his wife, “Tunky”, resting in the Mae West living room.
thirst dragged us to a round table full of tea roses and peonies overlooking the dry Spanish countryside. Yes, yes! We agreed to start with plates of Iberian ham. The shared plates would dish up seafood croquettes; rice with sea cucumbers, rabbit and sausage; clams with candied tomato & lemon grass. The chef had prepared fresh Catalan custard for dessert.
rose up, then moved to another spot, re-dampening the towel when it dried out. Her eyes winced at the uprising of clean hot steam. The acrid smell of damp cotton or wool down below flared her nostrils. As she conquered the wrinkles at hand her furrowed malcontented brow smoothed out. Agnes’ younger sister, Joanne, after a few bourbons always eulogized her with, “Your mother loved to iron.”
I made the 146 bus after a quick run and put my Ventra card on the reader. It did not beep so I tried it several times. The driver said that I had an 85 cents negative balance. I apologized and said that I only had a ten and a twenty. She said I needed to get off the bus. I started to leave and this guy shouted, “Don’t, you do not have to get off the bus. I am calling the CTA.” “She can’t throw an elderly person off the bus due to lack of funds.” People were staring at us and I decided to get off. I ran across the street to my garage and took some quarters out of my car. I ran back to the bus stop as the other 146 bus had arrived. I put the quarters in the money holder. I looked up and saw the people from the first bus getting on. The bus driver said, “What’s happening?” “Th
e bus behind me is empty.”