The Exorcist: RIP

Truth is Stranger than Fiction
…but it is because Fiction is obliged to stick to possibilities; Truth isn’t.” ― Mark Twain
I was 24 years old and six months out of Marlboro Psychiatric Hospital in Monmouth County NJ, when I read the The Exorcist in 1971. Marlboro was a notorious looney bin where patients attacked one another, food-borne germs killed people, and the criminally insane were constantly getting loose. I landed there after a year-long binge on LSD and Boone’s Farm Apple Wine. My psychiatrist terrified me with photos of headless babies born to LSD-consuming mothers.

After my release, I went to AA meetings, lived with a friend, got a job making terrariums at Julius Roehrs Garden Center in Farmingdale and saved for a home for me and my four-year-old son Joe. He was living with my ex-husband and his parents.

I’d picked up the paperback at Main Street Pharmacy after dropping Joe at his interim home in Belmar. We’d played at our beloved seaside for our weekly visit and parted cheerfully. I drove to the Belmar Diner, ordered a grilled cheese and coke, and opened the book. An hour later I was in my VW van in the diner parking lot, bewitched by the reading.

The book’s demon-possessed 12-year-old girl is called Regan. I’d seen my name printed on report cards, paychecks, my social security card and driver’s license, but I’d never seen the name Regan in any context outside of myself. The author, William Peter Blatty madereference to Regan’s name coming from Shakespeare’s King Lear. My p
arents had told me my name came from King Lear. Exorcist Regan’s mother was an actress whose director, Burke Williams, visited frequently and drank too many martinis. My father’s name was William Burke. He loved martinis. Exorcist Regan lived with her mother in Georgetown. My family had lived in Georgetown after my sisters and I were born.

I finished the book in the parking lot as the sun set on the Shark River Inlet, then serpentined down the road to my mother’s house in my slow-moving van. I was having periodic LSD flashbacks in those days, and the dizzying words of Regan’s possession plundered my healing nervous system.

My mother, Agnes, sat up from her beer-soaked abyss as I blasted through the front door and slammed The Exorcist down on the coffee table. Who is this guy? How do you know him? Why didn’t you warn me about this? How could you let me read this?

Agnes, an avid reader but detached from pop culture or bestsellers hadn’t read the summer blockbuster. I told her about Regan, Burke, martinis, Shakespeare. She joked the author must have been one of those undergraduates who attended parties at our house in Georgetown when I was a baby. I consulted my father in New York, and he had no idea who William Peter Blatty was, though after The Exorcist movie came out he pretended he did.

Years later a friend ran into Blatty and asked him if he had named Regan after me. “Absolutely,” the author replied, “They had the best parties. That name always haunted me. Who would name their little baby after one of Shakespeare’s most craven females?”

RIP William Peter Blatty January 12, 2017. Vaya Con Dios.