Suffering the Consequences

Suffering the Consequences

In late summer 1962, I ran away from home; away from my mother, away from my three sisters, and away from our year-round Jersey Shore beach house. My mother had left my father a few years before, after we were evicted from a mid-century-modern in the Chicago suburbs.

I loved moving close to the Atlantic Ocean but not even the beloved beach down the block could keep me from escaping from my mother’s uncontrollable, screeching, violent rampages. I fled to my father, two hours away in Manhattan. He’d moved there to be close to us and to try, once again, to stay sober. My mother suspended her hatred long enough to allow a few visits between us, but when he moved into a new girlfriend’s suite in the Delmonico Hotel on Park Avenue, my mother cut off all communication with him.

When I arrived, he checked me into my own hotel room, across the hall from his and the girlfriend’s suite. I enrolled in the sophomore class at Marymount Fifth Avenue Catholic girls school, where I became fast friends with another girl who lived in a hotel—her father managed the Waldorf-Astoria. I was no stranger to hotel living. My family had lived in the Meridian Hotel in Indianapolis for a year when my parents were drinking round-the-clock and couldn’t pull it together to find a family home. At 8-years-old, I had learned to run a tab for grilled cheese sandwiches and Coca-Colas in the hotel coffee shop. I relied on the doorman to report my whereabouts to my parents when I went out to play, since they weren’t always available to ask permission. I loved that part.

In early December at the Delmonico, I woke to a fiery, closed throat and vice-gripping headache. I went by ambulance to the emergency room of New York Presbyterian Hospital and was diagnosed with mononucleosis, hepatitis and migraine. The doctor explained that mononucleosis is called the kissing disease because it’s transmitted by mouth. Oh shit. Shame ran in my veins alongside the debilitating virus. I was afraid everyone would find out I was kissing a lot of boys and having sex.

Treatment included nausea-producing morphine injections and steroids. To heal my inflamed liver I lay flat on my back for 30 days— through Christmas and New Year’s. Classmates from Marymount brought homework; friends from the Jersey Shore sneaked in beer; my Boston boyfriend came with a stuffed Wiley Coyote; a case of Reese’s Peanut Butter Cups showed up from my cousin,Therese. My mother never visited nor called.

Central-Park-New-York-city-NY-6While I was in  the hospital my father rented a furnished 3-bedroom apartment
overlooking the Wollman Skating Rink in Central Park. Prolonged bedrest in the new home led to my recovery. The compulsory homework necessary for me to move on to my junior year slipped from my hands and onto the floor as I slept off my diseases. I returned to school after four months and failed that year with a final average grade of a humiliating 34.

Vampire Portrait

Vampire Portrait

The portrait represented my not-surprisingly-sad six-year-old self. People told me as far back as I can remember that I looked sad. Some would even ask why I looked so sad. How does a small child answer such a question?

The oil painting, a three-by-four foot gothic with a gilded oil-rubbed frame looked like an antique. I have a vague recollection of my mother taking my two sisters and I to the artist’s home in Washington, DC, where we had moved for a few years after World War II. We all sat for separate portraits. Mine was the only one the artist completed before my father ran out of money. The artist gave them all to my mother nonetheless and it was one more reason for me to feel superior to my two sisters – my portrait was the best.

I was painted from the waist up seated in a mahogany armchair. Dressed in black velvet with a rounded white lace collar, I held a doll similar to the one my father gave me when I had to stay home from school with the mumps. He bought her in the gift shop of the hotel where we lived when we were evicted from our home. The painting’s forest green background mimicked the dark green velvet of the doll’s coat.

Our family moved around the Midwest for many years before my mother left my father in 1960 – Terre Haute and Indianapolis, St. Louis and Clayton, Chicago and Lake Forest. Those childhood portraits made it through all the evictions, storages and moving vans until I finally got married and my mother gave me my portrait. I hauled it through my own two marriages, divorces and geography. Wherever I hung it, someone inevitably asked who was that sad little girl. I once wanted to rid myself of it when a friend said, “It’s your heirloom.” And so I brought it to a new home in Chicago, where I returned after a stint in Washington, DC during the Bill Clinton years.

My home of 15 years is the first condominium where I’ve had a storage locker. I don’t have a lot of storage items. I figure if you can’t wear it, sit on it, or hang it on the wall, there’s no point in keeping it. For a few years my sad childhood likeness laid in darkness in the basement next to some pictures of my grandchildren and a large suitcase.

Then one day, I needed the suitcase for a two-week trip to San Sebastian, Spain with my California friend Cappi Quigley. I thought I’d bring the portrait upstairs while retrieving the luggage. I couldn’t find the keys to the locker’s padlock so I asked Marcel the building engineer to meet me in the lobby with a bolt cutter. We descended to the basement where Marcel unlocked the steel door to Locker Room B. We located the locker assigned to my condo unit.

The padlock was gone and so were all the contents of the locker.