What Is My Work, You Ask?

What Is My Work, You Ask?

 

1962. My work is to stop laughing like a nervous little girl and start smiling like an unflappable young lady in the coffee shop on the Asbury Park boardwalk. To turn away from the seagulls fighting over dead fish on the beach and write “pancakes” and “bacon” on my notepad. To pay attention to the old telling the story of the 1934 wreck of the cruise ship SS Morro Castle on the beach. To save money for tickets to Joan Baez and Bob Dylan at the Asbury Park Convention Hall.

1967. My work is to read Dr. Benjamin Spock’s Baby and Child Care and apply its 51hjigsfuol-_sx309_bo1204203200_commandments to week-old smiles, cries in the night, a nine-month old sprinter and a child who eats only chicken. My work is to stand my ground in the whirlwind advice from mothers, aunts and grandmothers. To learn to ride a baby on the back of my bicycle. To animate words as I point to clouds, trees and cars as if I’ve never seen these things before in my life.

1976. My work is to bypass the door to the secluded basement with its graveyard of empty vodka bottles. To surrender to my new single-motherness. To trust my untrustworthy father and move from a sandy Jersey Shore cottage to a downtown Chicago highrise. My work is to know this is the best plan for a nine-year-old boy’s future happiness.

1982. My work is to dress up in business clothes, act smarter than I am, eavesdrop on everyone’s conversations in a boiler room full of political operatives, ask stupid questions and digest enough information to schedule Nancy Stevenson in places that help win votes for her husband’s campaign for governor.

1990. My work is to be a motherless child. To lament the loss of my uterus and ovaries, and, my boyfriend. To escape to Paris and London with my twelve-year old niece. To atone for all my past sins.To feign self-confidence while running the Illinois Democratic Party.

1993. My work is to take Prozac on the way to Washington to join the management class of the Clinton Administration. To imagine I have power and to hide humiliation when I’m exposed. My work is to honor the ruling class. To recognize they are human. To protect myself from evil-doers and self-promoters. My work is to mourn the loss of naiveté.

2006. My work is to shield myself and others from Cook County Government officials who believe if you are happy at your job you’re not working hard enough. To cherish those I lead for what they are today and not for what they will be tomorrow. To protect them from those who refuse to know their names.

2017. My work is to record how far my shadow falls behind me. To tell the truth about myself and trust God with where the words go and what they do when they get there. My work is to proclaim the US Constitution guarantees me the freedom to assemble publicly and express myself openly without retribution. My work is to say I love America and when the saints go marching in, oh! how I want to be in that number.

Inspired by “An Address to My Fellow Faculty,” by A. Papatya Bucak, from brevitymag.com

In the Attics of My Life, Jerry Garcia Lives

In the Attics of My Life, Jerry Garcia Lives

I worked in politics my whole life, always hoping for the perfect politician. The world view I dreamed up included good people who ultimately acted in the best interest of the whole.  Bill Clinton could have been my hero. I loved his rallying cry in the 1992 campaign, “personal responsibility.”

But I had doubts. Could I work for a candidate who was pro capital punishment and unsure of his view on abortion? Those were two issues I thought every Democrat knew to be against and for.

The “personal responsibility” message won me over. In th-11991 I abruptly left Chicago for Arkansas to work as Clinton’s campaign scheduler, a grueling job that required 24/7 attention. One cold January night Clinton and his entourage, George Stephanopoulos and Bruce Lindsey, returned to Little Rock in a small private jet from all-important New Hampshire. I met the plane on the dark, deserted tarmac to give Clinton his next day’s schedule. He descended the jet’s stairs with a big smile, came directly at me, grabbed my coat and ran his hands up and down my long furry lapels. “Nice coat, Regan,” he whispered.

This encounter may be the reason I love Bill Clinton.

When he won, I relocated to Washington to work in his administration. I moved into the first floor condo of an 1880 townhouse on Church Street in DuPont Circle. In 1994 he passed a crime bill I thought went too far. Next he signed NAFTA, an agreement opposed by every Democrat I respected. Both policy shifts were spearheaded by White House insider, Rahm Emmanuel, who decidedly did not have the public good at the forefront of his self-serving mind. But Clinton loved him. Dissatisfaction settled in the space between my bones and muscled me awake at 3 o’clock in the morning for the next seven years.

In the still of an August morning in 1995 NPR told me Jerry Garcia died. I collapsed on the bathroom floor weeping over the death of something I couldn’t put words to. At 49-years-old my idealism had come to an end: my false world of everlasting good died with Jerry Garcia. Reality glared back at me in the mirror as I brushed my hair, seeing for the first time a wrinkled face and rubbery neck. I dressed in a soft yellow, flowery cotton frock and pinned a silk flower in my hair, ready for the grieving day.

My dog Voter squirmed away from my extra long hug and I went out the door to my old friend, Keith Lesnick waiting to drive us to work. As soon as I got in the car tears spilled out. He asked about the sadness, and I slobbered out a few words, “Jerry Garcia signed into rehab last night,” I said. “He died in his sleep.” Keith waited a few respectful minutes, and then, with one simple sentence, he opened a new, naked reality that included the unspoken caveat of don’t take yourself too seriously.

He said, “well, it’s not as if it’s Aretha Franklin.”