Somatic (Trump) Healing

Somatic (Trump) Healing

The 2020 Spring confluence of the Covid Shut Down and the Murder of George Floyd both sparked nationwide protests. As an old hippie, I uncharacteristically refrained from the George Floyd, anti-racist marches due to the possibility of covid-contaminated wandering spew. I confined myself to protesting by laptop day and night. On my newly-learned Zoom app, I heard Resma Menakem, psychotherapist and somatic practitioner, offer a description of white supremacy as told in his book, My Mother’s Hands. 

Menakem writes that racism is a form of PTSD that resides in white European DNA. He suggests using body-centered awareness and movements to reduce the trauma and tension stored in the nervous system. With Zoom, I began leading a weekly online meditation group using simple breathing instructions. After I read My Mother’s Hands, I subconsciously expanded the instructions to include somatic thoughts and body-centered words.  

In September 2026, my Zoom book group concluded a prolonged study of Resma Menakem’s book. As the weekly discussions progressed, I slowly became aware that his work has influenced the guided meditation I use to center us before our group discussions. I consider this gradual insight the most important dimension of our book group work. We may not “get it” right away, but the authors’ influence seeps in through contemplation.

On September 27, 2026, David Brooks talked to Ayad Akhtar on his podcast “The Permanent Questions.” Brooks labeled the session “What Is the Meaning of Mystical Experience?” And centered the discussion around Akhtar’s latest book, The Radiance: A Novel. 

Akhtar, my favorite new atheist, revealed that he has a practice that has no words, like a somatic practice of walking in the woods or staring at a sleeping cat. He clearly expects to have transcendent experiences in this practice and used the telling of it to let us know there is a certain spiritual life beyond, or more precisely, without, religion. 

I don’t know about you, but deep transcendent experiences, are flittering away these days. The sight of a monarch butterfly is a momentary, rather than a mystical, thrill because we’re told they are disappearing because of us. Happiness, peace, tranquility are fleeting surface emotions. It’s as if Trumpism has physically removed them from my psyche, excised them from my soul. The longing for them has not, however, evaporated. Ayad Akhtar expresses this as the ultimate human emotion — the longing for it.

“Firing Line” host Margaret Hoover asked foreign affairs scholar and measured journalist Anne Applebaum, “If architecture expresses political values, what should the next president of the United States do with the ballroom?”

Applebaum, a Washington DC native, reacted with visible somatic emotion, “Knock it down.”

She’s longing for it. The bodily return to normalcy. Me too. Ayad Akhtar’s novel has the promise of ushering in spiritual relief, regulated breathing, reduced back pain and a quieter stomach—without religion or God. 

Walking my dog Elsa does that too.

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Guided Meditation as influenced by “My Mother’s Hands.”

Whatever you experience during meditation is right for you. Don’t try to make anything happen, just observe.

Begin by sitting in a comfortable position. Notice how your breath flows in and out. Don’t change your breathing in any way, simply notice how your body breathes. When your thoughts wander, bring your attention back to your breathing.

I close my eyes softly bringing awareness to my breathing.   

I allow my mind to rest in my heart as I come into my body. 

Sitting still. Relaxed.  Alert.  

I hold my back straight, not stiff.  

My torso rests with ease and comfort centered in my pelvis.  

My feet are held up by the floor, my body held down by gravity. 

I sense the temperature of the room.  

I notice sound. 

I notice thoughts of sound.

I imagine stiffness melting away from my neck, shoulders, eyes, forehead, cheeks.

I watch tension leave my face as my jaw drops slightly.   

I breathe in. I breathe out.  

I have no where to go, nothing to do; need nothing to change. This moment. 

And this Moment. And this moment.  

I allow complex thoughts to enter my mind and leave my mind. Feelings, plans, fantasies, memories, conclusions, judgements come in and go out. Come in and go out.

The worries of the world do not own me. I do not own the worries of the world.

I bring my focus to my breath as distractions come into my mind.  

May I be at peace. May my friends & family be at peace. May my enemies be at peace. May all sentient beings be at peace.

I breathe in. I breathe out. 

How Can I Keep From Singing?

I once read that Michele Obama insisted Medicare require doctors to ask their patients if they are depressed. Whether that’s true or not, my doctor recently asked me the question in three different ways.

“Are you depressed?”

“No.” I wasn’t at that moment.

“Are you sleeping?”

“No.” 

“Are you socializing?”

“No.”

Socializing is not a word I use. I join friends for choir practice, writing classes and lunch, but I rarely go out at night except to public meetings and author talks, not exactly social. And I’d always rather be in bed.

Ok. I socialize. I just don’t want to socialize since I am, well, depressed. There’s a web dangling overhead that periodically ensnares me. I have to shake its silky mess from my psyche before the new normal sticks me with its venom.

I asked the doctor if a lot of people are depressed.

“Everyone I see. Everyone my colleagues see,” she answered. “Careful you don’t look to yourself for a reason for your depression,“ she said. “The reason is trumpism.”

 Oh. That.

Choir director Jonathan Miller never utters a word about politics. But I can tell he’s picked up the scent of this national stink by the songs he picks for our choir. Our song index for the spring concert includes Waitin’ for the Light to Shine, What a Wonderful World, The Storm Is Passing Over, Bridge Over Troubled Water and How Can I Keep from Singing?

Roger Miller of Dang Me fame (and a depressive himself) wrote the score for the Broadway play, Big River, an adaptation of the Adventures of Huckleberry Finn. Huck Finn walks around in the dark singing Waitin’ for the Light to Shine lamenting his thcircumstances and wishing he could find meaning to his life. When he returns home, his father, a violent drunk, drags him off to the woods and tries to kill him. The poor kid escapes down the Big River, never to return.

This is my fear. I’m afraid a deranged president is attempting to psychologically murder me and there’s no escape. The fear is mutating and causing havoc like the coronavirus. It shape shifts itself into depressed, suspicious, angry, aggressive people. And they’re multiplying. They’re on the bus, at the checkout counter, on the condo board and sitting next to me at the movies. All of America needs to find the escape hatch and flee downriver with Huck Finn.

“How do you feel when you get up in the morning?” The doctor asked.

Hopeless. I need about fifteen minutes of constant prayer to catch the hope I need to get out of bed. It eventually floats through my thoughts in song.Untitled

You may think the song How Can I Keep From Singing doesn’t exactly fit into the buck-up category represented in my choir’s repertoire since the lyrics contain words like lamentation, tumult and strife. But Jonathan Miller added his own lyrics describing a choir as a healing balm. My hope is whenever trumpism churns my stomach, I remember to take the cure. 

How can I not keep singing?

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Sing Along with President Jeb Bartlett: How Can I Keep From Singing