Shake it up Baby

FeaturedShake it up Baby

I wiggled around so much to the tune of The Twist as a teenager that I’m sure that’s why I developed a waist.

A new state, new school, new friends, and new music greeted me in 1960 as a high school freshman. Uprooted from recreational softball and winter bowling leagues in suburban Chicago to the raucous cigarette-smoking, boy-loving, rock ’n’ roll Jersey Shore, I surfaced as a backbeat cool cat in my new life.

My family had one black and white television tucked into the corner of the living room. After school, if my mother had vacated her usual spot curled up on the couch, my two sisters and I turned up the volume to the teenage dance show American Bandstand. We twisted and shouted and mimicked all the latest moves until my mother returned from the corner tavern with her New York Times.

The Twist and its offspring—Let’s Twist Again, Peppermint Twist, Twisting the Night Away, kicked up in my head constantly. When I got bored in class, I’d conjure the music and imagine myself dancing. My insides jumped and jived as my feet moved my body effortlessly through the school from class to class. Every once in a while friends would break out singing The Twist, and dance in the corner of the cafeteria, like a Hollywood movie.

Five blocks from our house in Sea Girt, New Jersey, the Episcopal Church, St. Uriel the Archangel, opened our own American Bandstand in the parish hall. Every Friday night, a disc jockey played the latest rock ’n’ roll records. We all showed off the dance moves we’d learned from watching the TV show. When The Twist came over the loudspeakers, kids swarmed the dance floor singing “c’mon baby, let’s do the twist…”  Learning together to syncopate our wiggly feet and swiveling hips, we gained confidence for life at St. Uriel’s.  Everyone starred in their own movie.

Twisting the night away. St. Uriel’s canteen, Sea Girt, NJ

Dancing the twist killed the era of partner dances like the foxtrot, cha cha and the jitterbug. How we were able to get away with dancing like Chubby Checker to African-American music in a suburban church hall is a mystery to me. Did the white church elders realize the sexual innuendos and racial taboos in the simple lyrics…round ‘n around ‘n up ‘n down we go again? Did they see our awakening sexuality heat up in the carnal exhibitions of our new moves?

For sixty years The Twist was the most successful single on Billboard’s list of “Greatest Hit 100 Songs of All Time” . The song is on Rolling Stone magazine’s “500 Greatest Songs of All Time”. It’s been added to the National Recording Registry in the Library of Congress for long-term preservation.

With the ever-reckoning racial sensitivity afoot in the land today, I fear white teenagers might be cautious in taking a song like The Twist captive.  Cultural police might shame us into the false confession of “…no fair appropriating black soundtracks as our own”. Maybe in the next cultural shift the bottomless glee of working-it-on-out will bust through racial borders.

Meanwhile, I thank Jesus for the green light to twist the night away in the 1960s.

Prayers

Prayers

(excerpted from the November 2022 Grapevine, the International Journal of Alcoholics Anonymous)

My mother’s cousin, Father Long, asked to meet me on the wraparound porch of the1900s-era resort hotel in Spring Lake, New Jersey.

I had recently left my husband and was living at my mother’s house with my two-year-old boy. Assuming Father Long wanted to force feed me unwanted marriage counseling, I hung a defiant roach clip from an anti-establishment leather string around my 22-year-old neck to amplify my hippie ensemble.

He talked about my marijuana use. “Give it up, for your mother’s sake,” he said. I paused. “Are you talking to her about giving up drinking for my sake?”

Father Long started his career as a disciplinarian of an inner-city Catholic boys’ school. Realizing I was no match for him, I scrambled out of the painted wood rocking chair and made a fast exit. I heard him call to me as I walked away, “I’ll pray for you.” 

Father Long spent a few weeks every year near Sea Girt where I lived during adolescence and young adulthood. That summer his vacation on the edge of the Atlantic Ocean was interrupted by my mother’s cry for help. She wanted him to help me. My mother’s lips never parted to pray and I doubt her thoughts ever enter the spiritual realm. On the way home, I wondered how drunk she must have been to ask for help from her cousin, a soldier of God. Had Father Long been summoned to help other wayward children sprung from our very wayward relatives?

A few years later, I made it to Alcoholics Anonymous and, after six months sober, I was asked to speak at a large AA meeting in Montclair. In the meeting, I talked about my inability to stop drinking, stop smoking pot, stop consuming illicit drugs. I welled up speaking of gratitude for my father, who had brought me into the Fellowship.

My father had sobered up at Towns Hospital in Manhattan. He attended meetings on the Upper East Side and had been able to sustain abstinence during the time I was dying way out there in some other dimension of addiction. We hadn’t seen each other for five years. Then he showed up at the public mental institution where I had been sent after I overdosed at 24 years old. He suggested I go to the AA meeting on the grounds of the institution.

After I wrapped up my six-months sober talk at that meeting in Montclair, a petite, pearly lady stood out from a line of well-wishers. She approached and said, “I pray for you every day.” “What?” I asked. “Do I know you?”

“I go to meetings in New York with your father,” she said. “We helped him when he went to see you in the hospital. We told him what to say, to just share his story, what it was like, what happened and what it was like now. Like we do with any other alcoholic—and suggest you go to meetings. A lot of us have been praying for you for a long time.” 

 “And here you are.” 

That was the summer of 1971.

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NOTE: Father Long was removed from the priesthood in 1995 for sexual abuse. He’s on the Pennsylvania, Maryland and Washington DC, lists of accused priests. He died in 2004.

Anonymous Prayers

Father Long asks to meet on the wrap-around porch of the 19th century worn-out resort hotel in Spring Lake, NJ. I just left my husband and live at my mother’s house with my two-year-old boy. Assuming he wants to force feed me unwanted marriage counseling, I hang an emblematic roach clip on an anti-establishment leather string around my 22-year old neck to compound my defiant hippie ensemble. He talks about my marijuana use.

Give it up for your mother’s sake.

Are you talkin’ to her about givin’ up drinking for my sake?

He once had a job as the disciplinarian of an inner-city Catholic boys school. Realizing I’m no match for him, I make a fast exit scrambling out of the painted-wood rocking chair as I hear over my shoulder.

I’ll pray for you.

My mother’s cousin, Jesuit Arthur Long Jr. spends a few weeks every year near Sea Girt where I live during my spiritually-sick adolescence and young adulthood. This summer his vacation on the edge of the Atlantic Ocean is interrupted by my mother’s cry for help—help for me, her addict. Her lips never part for the word pray nor do her thoughts ever enter the prayer realm. How drunk must she have been to ask for help from her cousin, a soldier of God?

I wonder if Father gets dispatched to other wayward children sprung from his very wayward relatives. 

A few years later I make it to Alcoholics Anonymous and after six months sober I’m the speaker at a large meeting in Montclair, one of Manhattan’s bedroom communities. I talk about my inability to stop drinking, stop smoking pot, stop consuming illicit drugs, until I get to AA. I’m happy to be sober and tear up at gratitude for my father who brought me into the Fellowship. My father sobered up five years before me in Town’s Hospital Manhattan and started his sustained abstinence in meetings on the Upper East side during the time I was dying, way out there in some other dimension. We hadn’t seen each other for five years before he arrived at the public mental institution I overdosed into at 24 years old. He suggested I go to the AA meeting on the grounds.

After my six-months-sober talk at the Montclair meeting, a petite pearly lady stands back from a line of well-wishers before approaching me.

I pray for you everyday.

What? Do I know you?

I go to meetings in New York with your father. We helped him when he went to see you unknownin the hospital, told him what to say, to just share his story, what it was like, what happened and what it’s like now, and suggest you go to meetings—like we do with any
other alcoholic. A lot of us have been praying for you for a long time.

And here I am.

Before There Were Hippies

Before There Were Hippies

Tom Spencer and I sat in slatted wooden seats on the aisle halfway back from the stage in the Asbury Park Convention Hall at our first concert. The Hall’s open doors and th-1windows allowed the peaceful ocean breeze to float in and around to cool us. It was 1961 and we thought we were the only Joan Baez fans on the entire Jersey Shore.The mesmerizing overflow crowd stunned us.

Until then, our only experience at a live performance was the Manasquan High School variety show. We lived in the remains of the 1950’s cultural wasteland where the middle class would never spend time or money on concert-going. Ignorant of concert etiquette, we refrained from singing aloud but mouthed all the words as our folk hero transported us — All My Trials, House of the Rising Sun,10,000 Miles. Just before intermission Joan Baez introduced a friend from Greenwich Village, Bob Dylan. Oh no! I saved my babysitting money to see Joan Baez, not some unknown. Onto the stage came this scruffy little curly-topped blue-jeaned boy who played guitar and sang a solo, “Freight Train Blues”. They sang “Man of Constant Sorrow” and “Pretty Peggy-O” together. Tom, even though his favorite singer was the Godfather of Soul, James Brown, shared my instant joy and devotion to the twangy-voiced Bob Dylan.

thDylan and Baez sang their love for the poetry of those old folk songs. And we shared a love for the singers with strangers from our own land.

That summer, Tom and I had created a hangout in my mother’s garage with an old couch and a rickety TV table for our record player so we could listen to music and drink beer undisturbed during the day when everyone else was at the beach. My mother accepted my summertime retreat since she never used the garage and was happy to be removed from the sounds of folk music, Motown and Elvis. She seemed to like Frank Sinatra and Dean Martin, but she had no real interest in listening to music, not even on the radio.

We saved money from our part-time jobs to buy our 45 rpm records. Tom caddied at the Spring Lake Golf Club. I babysat for the neighbors. He had a crush on my younger sister, Erin, ever since we moved into the Sea Girt house down the street from his in 1959. They dated briefly the previous year but she lost interest and he and I became inseparable friends for one important summer.

One day my mother found us in the garage with empty beer bottles, practicing the Twist and the Mashed Potato. She proclaimed us degenerates and told us to go to the beach. We ignored her and roiled with laughter since being degenerate characterized the beat generation. We were reading A Coney Island of the Mind by Lawrence Ferlinghetti and writing beat poetry. Her proclamation boosted our view of ourselves as beatniks.

The chilly weather and school reopening gradually closed the garage door. Tom’s studies took up his time. And I sought other hideaways where I could drink beer all day and listen to music.