Unearned Chicago Whiteness

I want to be a woman who is not afraid of young Black men. I want to enter the subway platform like an alley cat flic-flac’ing her cold feet into lackadaisical safety. I’m an old woman who wants to love non-Anglo words bouncing off the curve of the tunnel—ping! pow! hitting the pulse of the collective-waiting-for-the-train with differing beats-per-minute.

Imagine if I accepted Black culture the way some accept Chinese culture. I’d stop trying to colonize Black names—it’s Na’Dia, not Nadia! I’d quit harping at the Walgreen’s cashier for her gold-plated elongated fingernails—how can you hit the keys with those? I’d accept rap and hip-hop, stop changing the words or the beat whitening it all up just to enfranchise my fragile birthright. 

I’d walk down Lawndale streets, how-you-doin’, and ‘wassupin’, a welcome visitor looking for friends and food and local art. Next day I’d take you with me sayin’, meet Taneesha from poetry class and oh there’s Damari from tutoring. Hi Fam. Here’s my friends. I’d hear new language poppin’ outta my own mouth. Like they were my own words. Like they have to do when they walk white and talk white on Michigan Avenue, or else. Or else, the judge says, I can’t understand you. Speak proper English. 

We’d gather all together and go to the movies, sit side-by-side transforming ourselves into subcutaneous doppelgängers. We’d be like, oh that’s funny or Girrrlll I feel ya’. All hands would open and close on popcorn from the same bucket. Afterwards we’d crowd the sidewalk two-steppin’ to No Diggity on our way to brunch. Everyone would get served and be safe.

My unearned whiteness is a blessing: I get to go out the door without rehearsing how to react when Macy’s security guards ask to see my receipt. And a curse: A white woman cried to the police there musta been 40 Black boys down there crowded in the red line and I’m helplessly guilt-ridden when the fact gets reported as 50 later that night. And 60 the next morning.

I’m an old white woman who wants to cuddle and cry with Black children maligned in that subway—not white women’s cries regurgitating Black boy history of false accusations and lynchings. No. No. God-the-Mother cries with tears that seep under my babies’ skin cleansing them of my control, my denial of their equality, my remarks about their hair.

I thought I was once a curious woman simply eavesdropping on human nature’s racial conversations. The constant banged-out message that my beloved Chicago is the most segregated city in the country woke me to know I’ve been a gagged participant all along.

My vow is to be the old white woman waiting in that subway, with you, emancipated from the fear of young Black men.

michael-sardin
CHICAGO (CBS)–An 18-year-old is among four people now charged in a mob attack on the CTA Red Line.

A People’s History of Chicago

kevin-coval-peoples-history-chicago

Chicago poet Kevin Coval came to a luncheon of forty older adults in the Gold Coast to read from his new book, A People’s History of Chicago. This was not Kevin’s usual audience, which is young, disaffected and enlightened high school kids from the neighborhoods. After his reading, he passed out small notebooks and pencils and asked us to write a list of what you see when you walk out your front door. Then he gave us 8 minutes to write a poem.

Kevin is the Artistic Director at Young Chicago Authors, an ongoing free workshop that meets every Saturday at Milwaukee and Division. He invited all of us to the workshop, saying “we need you.”

And so the next Saturday I climbed to the 2nd floor high-ceilinged room of bare brick walls and planked floors. Twenty chairs were arranged in a circle in the middle of the room and loose, unlined sheets of paper and pencils were in a box in the middle of the circle. This is not just organization, it’s respect.

Poet-teacher Jose Guadalupe Oliverez sat on a chair in the circle and as people emerged from the staircase, he motioned to them to join him. He asked us to state our first names, age and our high schools. A group of 16-year-olds from Crane High School and their spoken-word coach, a 19 yr old poet from Calumet City, a 16 year old Lincoln Parker home from boarding school and a 20 year old jewelry maker made up the group. I apologized, “I’m Regan and I’m old. Thank you for letting me sit in.” Jose prompted us to write lists, reading various poems for inspiration about truth and lying. He gave us 8 minutes to write. At the end, each of us recited one poem.
_____________
Lying

I get on the bus
See a cohort
Where you goin?
To the March at Trump.

You go girl, he says
thinking I’m alive in pursuit of justice

Am I? I dress for the day
with buttons and banners
Tell others I’ll see you there!
Notify on Twitter and FaceBook

Then go downtown and what?
I tell others it works
to be in the number, to yell
This is What Democracy Looks Like

I write letters, make calls, send emails
Proclaiming the what and why
but then in silent spaces
I doubt.

Does my voice matter?
I tell others theirs does, mine does.

I doubt.
Will it get better?
for me
or you
or them
or us

Am I acting, lying?
What about the rest of ‘em?
Are we all just hoping, acting, lying?
_______________

Hot and weak at the bus stop I was thinking about the racism-felt poems I’d just heard from the young poets. A woman in a McDonald’s uniform came along complaining, “Where the fuck is the bus?” She asked if I had been to the new Division Street Target and before I answered, she added, “I can’t go there. They tore down my home to build it.”

I beseeched God, “when will it ever end?”