Tag: movies

Stop Making Sense

Stop Making Sense

WBEZ Chicago is celebrating 40 years of one of the greatest concert films of all time, Stop Making Sense, at the Studebaker Theater in downtown Chicago’s Fine Arts Building.

I love this movie. Every Sunday when my son was a toddler, he’d nap as his father studied, and I’d go to the movies. When he was old enough, we went to the movies together, especially on Christmas Day after the divorces, and it was just the two of us. At seventeen, he convinced me to see the Talking Heads’ 1984 concert film Stop Making Sense at the same Studebaker Theater.

“I don’t like punk rock,” I said.

“It’s not punk. It’s different. You’ll like it,” he convinced me.

He had his own band at the time and knew his music, so I trusted him. He was right. I blasted the Stop Making Sense cassette on my car radio until the tape wore out.

The film documents the legendary rock band Talking Heads performing at Hollywood’s Pantages Theater in December 1983. David Byrne, Tina Weymouth, Chris Frantz, and Jerry Harrison perform alongside an ecstatic ensemble of supporting musicians.

When my movie buddy Marca Bristo was alive, we went to the movies nearly every Saturday. We’d mull the pros and cons of what we had just seen in the quiet theater afterward before going off to a coffee shop to talk about politics.  Marca died in September 2019. The releases that year included Little Women, 1917, and It’s a Beautiful Day in the Neighborhood. Part of mourning Marca meant slacking off on movie-going. I saw only one movie for the rest of the year,  Just Mercy, which tells the true story of defense attorney Bryan Stevenson and his client, a black man falsely accused of murder. It was my quiet tribute to Marca, a powerful advocate for disability rights.

These days, I’m wary of catching Covid and all manner of infectious diseases so I’ve been in only one movie theater since March 2020 to see Caste.

But I may have to venture into the old Studebaker theater with its high ceiling and wide aisles to see this old film with old friends who love the old Talking Heads. There’s just nothing like being in a room full of people who love what you love.

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Stop Making Sense Tickets

Sharks and Snakes At the Movies

Sharks and Snakes At the Movies

One summer in the early 1960s, my mother walked the beach near our Sea Girt, New Jersey home. A shark came into the calm shallow of the Atlantic and chomped off the leg of a man wading right in front of her. 

Another that week. And another. Grisly accounts and sightings of man-eating “great whites” all along the central Jersey coast appeared daily in the Asbury Park Press. Lifeguards stood high on their stands and whistled us out of the surf repeatedly at any sign of a dorsal fin. The summer was terrifying. 

When Peter Benchley’s 1974 novel, Jaws, appeared on the paperback rack, my mother snatched it up, read it, and passed it on. She and everyone else at the Jersey Shore convinced themselves that Benchley, who lived in New Jersey, based the book on our summer shark attacks. 

What a book. After eyeing that famous book cover, my seven-year-old son, Joe, became interested in and eventually obsessed with sharks. Having read in Dr. Spock that I shouldn’t tell my child frightening stories, like the crucifixion of Jesus, I kept the Jaws story from him. 

The movie Jaws was released the following year. I refused to watch it, much less expose it to my eight-year-old. His sleep was already interrupted by nightmares after getting hit with a pitched baseball at Little League. 

At age nine,Joe announced that Jaws was at the neighborhood theater on Dollar Day and begged me to take him. The near-empty theater was spooky. I held both hands over my eyes for most of the show .

“You can open your eyes now,” Joe said.

I did, just as the shark was ripping apart a girl on her raft.

“Oh my god! I’m going to puke! I thought you said it was ok!”

We laughed so hard we could hardly hear the movie. Thus began those funny years when boys learn there’s a big payoff in pranking their parents.

When Raiders of the Lost Ark came out in 1981, we lived in Chicago. 

“Is it about Noah’s Ark?” I asked Joe.

“No. The Ark of the Covenant. You know, where the Ten Commandments are.”

Dragging him to Sunday school all those years had paid off.

We ran to the 1,400-seat Esquire Theater on Oak Street. The only tickets left were upfront. Right there, on the front row, the entire wall before me slithered and hissed as Harrison Ford was lowered into a hypnotic pit of 10,000 snakes. 

I shut my eyes. 

“OK to look now,” Joe whispered.

And again, I got fooled into watching the creepiest part of the movie, where Indiana Jones is staring down a hooded cobra.

Raiders is set in 1936 and follows Indiana Jones vying with Nazi Germans to recover the invaluable long-lost Ark of the Covenant. Some have interpreted it as Steven Spielberg’s creation to slam the Nazis for the Holocaust. But to me, it’s a hilarious, breathless adventure, made memorably funnier by the prank of my fourteen-year-old movie companion.

And a memorable relief from how I view Nazis today. 

Review of “Maestro” from Guest Blogger John Clum

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Forsaken Christmas

Forsaken Christmas

The first movie I saw on Christmas Day was To Kill A Mockingbird in 1962. Since I suffered from an endless holiday hangover, little of the story stuck in my saturated brain. As a high school freshman, when I was still afraid to fail, I’d read and reported on To Kill A Mockingbird. Until Mockingbird, I hadn’t seen a movie created from a book I’d read. Fortunately, the film is still so popular it’s come and gone enough times on TV for me to watch it again. And again.

A Christmas Day movie-going tradition began, sometimes with friends, sometimes alone. At first December 25th movie releases offered an escape from uncomfortable family time. Before I got sober in 1976, mandatory holiday gatherings handed out one big gift-wrapped box of shame. Movie people count on family escapees, I suppose. Some of the best movies have been released on Christmas Day: The Sting, Catch Me If You Can, Broadcast News, Sherlock Holmes, and Tombstone. 

Every Sunday when my son was a toddler, he’d nap as his father studied, and I’d go to the movies. When he was old enough, we went to the movies together, especially on Christmas Day after the divorces, when it was just the two of us. When he was seventeen, he convinced me to see Talking Heads’ 1984 concert film, “Stop Making Sense.”  

“I don’t like punk rock,” I said.

“It’s not punk. It’s different. You’ll like it,” he convinced me.

He had his own band at the time and knew his music, so I trusted him. He was right. I blasted the “Stop Making Sense” cassette on my car radio until the tape wore thin.

When movie buddy Marca Bristo was alive and in town, we couldn’t wait to get to the first showing of the Christmas Day releases before she returned home to her family dinner. We’d usually discuss the movie over after-theater coffee, but on Christmas Day, coffee shops closed, so we’d sit in the quiet theater afterward, mulling the pros and cons. Marca died in September 2019. The Christmas releases that year included Little Women, 1917, and It’s a Beautiful Day in the Neighborhood. I chose Just Mercy, which tells the true story of defense attorney Bryan Stevenson and his client, a black man falsely accused of murder. A powerful advocate for people with disabilities, Marca would have chosen the same. 

Movie theaters closed for a while at the beginning of the Covid pandemic in 2020. I’m so wary of catching Covid and all manner of infectious diseases that I’ve not been in a movie theater since Christmas 2019. It’s tempting to see the re-make of The Color Purple, which will open this year on December 25. But every time I’m in a coffee shop or at a public event and someone sneezes or blows their nose, low-level panic attacks. Reclining in a multi-plex next to strangers for two or three hours’ worth of entertainment is out of the question. 

I’ll wait for Netflix. 

LSD Insanity

In “Once Upon a Time in Hollywood”, Brad Pitt’s character casually smokes an LSD soaked cigarette. Just as the acid-induced hallucinations kick in, three people bust into his house armed with knives and guns. He laughs at them. He doesn’t think they are real.

“Did you ever do acid?” Mark asked me.

Mark and I have been friends for almost thirty-five years. How does he not know this about me?

“Are you kidding? I used to take acid three or four times a week,” I shrugged, “For about six months. Maybe longer. ”

“Why’d you do that?”

“I wanted to see God.”OIP.u5D65V-WwphdhnASj8pIbQAAAA

“Did you?”

“Of course. At the end, I hoped I’d go to heaven overdosing on sleeping pills and booze, but ended up in a coma and went to an insane asylum instead.”

“Wow. What was that like?”

Here’s what that was like: In December 1970, a friend found me unconscious in the beach cottage I’d rented with my long-gone boyfriend that winter. An ambulance drove me (from the hospital where I’d been revived) to New Jersey’s notorious Marlboro Psychiatric Hospital.

Initially I was housed in a locked ward. For about forty-eight hours I suffered the shivering sweats and hallucinations of delirium tremens (DTs) due to the sudden withdrawal from alcohol. Swaddled in a straight jacket, I watched Donald Duck, Goofy and Mickey Mouse playing on my floor. When they danced up the wall and out the window, I screamed for them to come back. After three or four days on heavy tranquilizers and anti-psychotic drugs, I was moved to a three-story dormitory, one of many Tudor-style hospital buildings surrounded by old oaks and acres of farmland in pastoral Monmouth County. Patients were supposed to be grouped by similar diagnoses. I have no idea what my diagnosis was but I do know I wasn’t as crazy as most of my eighty housemates.

Every morning I woke to someone running around ranting and raving nonsensically. We all had lockers but a patient warned me if I put anything in mine, she’d take it. I had no clothes of my own. I wore left-behind shoes and calico cotton dresses made by long-term patients. The huge day room in the center of the building had overstuffed chairs and couches organized in small conversation clusters. After breakfast most patients ran into the day room to their favorite chair and pushed it up against the wall. On my first day, I sat in a chair with my back to the open room. A patient ran up behind me and squeezed Unknown-1both hands around my neck until an orderly pulled her off. All the other patients laughed. That’s why they kept their backs to the wall.

At my first session with the psychiatrist, I thought he was mad at me. He showed me photos of babies without heads born to mothers who had taken LSD. I knew nothing about drug and alcohol addiction. Neither did he. He thought I had a choice.

I was in Marlboro for the month of December. Church groups sent buses to take us involuntarily to their Christmas parties. Time spent at church socials in my nut house clothes was equally as tortuous as recovering from my demons.

I never swallowed a hallucinogenic after that—not because headless babies scared me. I tried to reach heaven and didn’t make it so I figured God had other plans. It took four more years for me to recover from alcohol. My last drink was forty-four years ago today. 

 

Film School with Vivienne

Film School with Vivienne

 

The elevator opened to a lit-up scene of human statues in the closed-for-business City Hall lobby.

“Cut! Close that elevator door!”

I slinked back into the elevator, up to the 4th floor Elections Department and flew to the telephone in my office where, in the Saturday morning quiet, I had just finished the 1993 voter registration plan.

I called my high-rise neighbor, Vivienne de Courcy. “You have to come down here right now!”

“Ach. Can’t possibly. Bogged down. Writing,” said Vivienne, a frustrated 9-5 insurance lawyer who spent Saturdays grinding out movie scripts.

“You must — they’re shooting a movie in the lobby. We can get access with my I.D.”  Vivienne and I loved sifting through the credits at the end of movies trying to figure out what everyone did, but we’d never been on a movie set.

Chicago’s City Hall squats on one city block with doors at Randolph, LaSalle, Washington, and Clark Streets. I hurried to the Washington Street side of the building down the stairs to the lobby. Flyers were posted in the stairwell: Lobby Closed Saturday Noon for Filming of The Fugitive. When did they put those up?

I ran down the hallway, shoved open the polished brass doors and caught my uninhibited, garrulous sidekick swinging her long legs out of a taxi on Washington Street.

Vivienne’s knockout looks never suffered from uncombed hair and no make-up. Flinging her camel-hair cape over her shoulder she shivered in the March wind, grabbed my arm and skipped inside. I muttered quick instructions: don’t embarrass me, don’t say a word, don’t make me laugh, do not get me in trouble.

Crew Only signs sat on food tables along the corridor. Perched at the table near the rotunda we hawk-eyed bowls of popcorn. Vivienne whispered her intuitive movie-credits knowledge. That’s the Director. Production Assistant. There’s the Script Supervisor. Which one is the Grip? Dunno.

A crew member gestured to the popcorn, assuming we were extras. Vivienne helped herself. What? Don’t do that!

And then, Action! Harrison Ford came running down the circa-1911 polished marble staircase across the wide rotunda zig-zagging through the crowd of extras I had witnessed by the elevators. Cut! He walked back upstairs. Action! He came running down again chased by Tommy Lee Jones.

Oh my god, he’s coming this way. “Vivienne! Say something!” Harrison Ford sauntered over to munch popcorn. I shoved Vivienne toward him. He said hello and she asked him how he liked Chicago.

“Is that an Irish accent?”

“’Tis.”

“How do YOU like Chicago?”

“I love it.”

“Well, I love popcorn.”  He smiled and strolled away.

My starstruck legs wobbled. Back at my side with a handful of popcorn, Vivienne shimmered. Turning toward the exit we faced crew and extras gathered for the catered lunch behind us.

“Are you two extras? What’s that I.D. around your neck?”

We skedaddled down the hallway, fluttered out the doors and whooped it up all the way home.

 

Vivienne de Courcy’s first feature length movie. “Dare to be Wild” is premiering at the Palm Beach Film Festival in April, 2016. She currently resides in Ireland and London.

https://youtu.be/oPpVRgQoTSY