Stop Making Sense

Stop Making Sense

WBEZ Chicago is celebrating 40 years of one of the greatest concert films of all time, Stop Making Sense, at the Studebaker Theater in downtown Chicago’s Fine Arts Building.

I love this movie. Every Sunday when my son was a toddler, he’d nap as his father studied, and I’d go to the movies. When he was old enough, we went to the movies together, especially on Christmas Day after the divorces, and it was just the two of us. At seventeen, he convinced me to see the Talking Heads’ 1984 concert film Stop Making Sense at the same Studebaker Theater.

“I don’t like punk rock,” I said.

“It’s not punk. It’s different. You’ll like it,” he convinced me.

He had his own band at the time and knew his music, so I trusted him. He was right. I blasted the Stop Making Sense cassette on my car radio until the tape wore out.

The film documents the legendary rock band Talking Heads performing at Hollywood’s Pantages Theater in December 1983. David Byrne, Tina Weymouth, Chris Frantz, and Jerry Harrison perform alongside an ecstatic ensemble of supporting musicians.

When my movie buddy Marca Bristo was alive, we went to the movies nearly every Saturday. We’d mull the pros and cons of what we had just seen in the quiet theater afterward before going off to a coffee shop to talk about politics.  Marca died in September 2019. The releases that year included Little Women, 1917, and It’s a Beautiful Day in the Neighborhood. Part of mourning Marca meant slacking off on movie-going. I saw only one movie for the rest of the year,  Just Mercy, which tells the true story of defense attorney Bryan Stevenson and his client, a black man falsely accused of murder. It was my quiet tribute to Marca, a powerful advocate for disability rights.

These days, I’m wary of catching Covid and all manner of infectious diseases so I’ve been in only one movie theater since March 2020 to see Caste.

But I may have to venture into the old Studebaker theater with its high ceiling and wide aisles to see this old film with old friends who love the old Talking Heads. There’s just nothing like being in a room full of people who love what you love.

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Stop Making Sense Tickets

Sharks and Snakes At the Movies

Sharks and Snakes At the Movies

One summer in the early 1960s, my mother walked the beach near our Sea Girt, New Jersey home. A shark came into the calm shallow of the Atlantic and chomped off the leg of a man wading right in front of her. 

Another that week. And another. Grisly accounts and sightings of man-eating “great whites” all along the central Jersey coast appeared daily in the Asbury Park Press. Lifeguards stood high on their stands and whistled us out of the surf repeatedly at any sign of a dorsal fin. The summer was terrifying. 

When Peter Benchley’s 1974 novel, Jaws, appeared on the paperback rack, my mother snatched it up, read it, and passed it on. She and everyone else at the Jersey Shore convinced themselves that Benchley, who lived in New Jersey, based the book on our summer shark attacks. 

What a book. After eyeing that famous book cover, my seven-year-old son, Joe, became interested in and eventually obsessed with sharks. Having read in Dr. Spock that I shouldn’t tell my child frightening stories, like the crucifixion of Jesus, I kept the Jaws story from him. 

The movie Jaws was released the following year. I refused to watch it, much less expose it to my eight-year-old. His sleep was already interrupted by nightmares after getting hit with a pitched baseball at Little League. 

At age nine,Joe announced that Jaws was at the neighborhood theater on Dollar Day and begged me to take him. The near-empty theater was spooky. I held both hands over my eyes for most of the show .

“You can open your eyes now,” Joe said.

I did, just as the shark was ripping apart a girl on her raft.

“Oh my god! I’m going to puke! I thought you said it was ok!”

We laughed so hard we could hardly hear the movie. Thus began those funny years when boys learn there’s a big payoff in pranking their parents.

When Raiders of the Lost Ark came out in 1981, we lived in Chicago. 

“Is it about Noah’s Ark?” I asked Joe.

“No. The Ark of the Covenant. You know, where the Ten Commandments are.”

Dragging him to Sunday school all those years had paid off.

We ran to the 1,400-seat Esquire Theater on Oak Street. The only tickets left were upfront. Right there, on the front row, the entire wall before me slithered and hissed as Harrison Ford was lowered into a hypnotic pit of 10,000 snakes. 

I shut my eyes. 

“OK to look now,” Joe whispered.

And again, I got fooled into watching the creepiest part of the movie, where Indiana Jones is staring down a hooded cobra.

Raiders is set in 1936 and follows Indiana Jones vying with Nazi Germans to recover the invaluable long-lost Ark of the Covenant. Some have interpreted it as Steven Spielberg’s creation to slam the Nazis for the Holocaust. But to me, it’s a hilarious, breathless adventure, made memorably funnier by the prank of my fourteen-year-old movie companion.

And a memorable relief from how I view Nazis today. 

Review of “Maestro” from Guest Blogger John Clum