Seeing Jesus

In 1949 the Soviet Union started the Cold War by detonating its first atomic bomb, blockading Berlin, and pushing its way into Poland and Eastern Europe. The voices I heard swirling above my head at cocktail hour in our Washington home implied the Russians were coming for us. Everyone acted like this was the worst thing that could ever happen. 

Air raid drills were concocted by the federal government through the National Civil Defense Administration to protect people from incoming A-bombs. Common folk-wisdom said only cockroaches would survive a nuclear attack. Nevertheless teachers were required to conduct impromptu air raid drills. They shouted, Drop!—a signal for us to jump out of our seats, crawl under our desks, fall over our knees and cover our heads. The nuns added the instruction to recite Hail Marys aloud while on the floor. 

Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death. Amen.

At seven, I didn’t understand the difference between a drill and the real event. I went to my death every time I huddled under that desk. I feared the A-Bomb was the worst thing that could ever happen. But, I was not. afraid. to die. 

This is it, I’d pray. This is the day I’m going to see Jesus.

I believed Mother Mary would grab me in her arms like she did baby Jesus and take me to heaven. Why did we practice to avoid such ecstasy? 

By the time third grade rolled around, I got used to not dying under the desk. Images of children who lived after their exposure to the atomic bombs in Hiroshima and Nagasaki appeared on our small black and white television. I saw that there were worse things than death. 

Our Catholic school teachers taught that Communists who ruled Mother Russia prohibited the celebration of  the Mass. The clergy declared this was the worst thing that could ever happen. We prayed for Catholic Russia.

At home, my two sisters and I made our own breakfasts and school lunches because my mother’s alcohol intake rendered her unconscious in the mornings. We often gathered around her bed trying to figure out if she was alive. Holy Mary, Mother of God. One of us would place a finger under her nostrils to feel her breath until, with one exhale, she’d confirm that the worst that could’ve happen, hadn’t—and we’d be off to knock on neighbors’ doors scrounging rides to school. 

Those early almost-worst-that-could-happen memories have inoculated me against the mau-mauing of present-day alarmists, naysayers and fear-mongers who sermonize about the death of our democracy. Yeah-but’ers and tsk-tsk’ers want us to heed their cynical creed that our country is hopelessly overrun with insurrectionists, sexual predators, corrupt politicians and gun-toting scofflaws.

And what if these are apocalyptic times? So what? So were the 1950’s. I’ve been here before. 

Mother Mary may be out of commission these days, but I still dream of seeing Jesus.

Shut Down Week 3. Tagging

Shut Down Week 3. Tagging

One of the boarded up stores I walk Henry past everyday is Hermes, a Parisian couture import. You can buy a Hermes over-the-shoulder mini bag just big enough for your cell phone, keys and plastic poop bags (if you’re walking Henry) for $1,875.00. On the very first board-up day, a tagger spray-painted one of Hermes’ dark grey boards with a

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Shut Down Hermes Chicago

tasteful lavender scribble. The contrasting colors were delightful really, very French. And the next day, the street art was gone, painted over in Hermes signature dark grey.

Like the Buddhist arhat, Irish banshee and today’s death doula, the mythical greek Hermes is a psychopomp, or soul guide. Powered by his winged sandals and helmet, he guides the soul into death, to the other side. Crows are also psychopomps often depicted waiting in murders outside the home of the dying to herald the soul’s journey or perched inside the chamber as in Edgar Allen Poe’s “The Raven”.

Crows are sparse these days on downtown Chicago streets. There’s no discarded food to forage in the alleys behind the restaurants. Oh, sure, the restaurants are providing take-out, but all that trash goes home to another neighborhood’s compost. The heralding crow has taken her business elsewhere. No one is bothering to die a natural death here. We are all in a state of shutdown limbo. Indeed I never hear the usually frequent ambulance sirens headed to the hospital a quarter of a mile away. The covid-infected dying are taking cabs to the Emergency Room, hoping they won’t be turned away or sent to the field hospital at the McCormick Place convention center.

Hermes is known as Mercury in Roman mythology, from a Latin derivative meaning merchandise. I love the window displays but I have no reason to step across the Hermes threshold and finger the merchandise. These days I think of its namesake as a hallmark to protect the life of commerce in the city. I hope Hermes/Mercury doesn’t let the city die.

I have to grab hope wherever I can. It was Hermes’ sister Pandora who opened the box that unleashed plagues, diseases, and illnesses on the world. Our current Pandora, President Trump, has unleashed the coronavirus on us in opening wide his box of ignorance, inaction and mismanagement. The myth says Pandora closed that box before the healing spirit Hope escaped. President Trump spews false hope to us everyday with lies, inaccuracies and ego-driven platitudes. 

Hope seeps out on its own power though, just like the spray-painting tagger letting us know the street is still alive.

Speaking of God…

Speaking of God…

I’m not sure what day or year or even decade I stopped being ruled by men. Feminist pop psychology (and real shrinks) used to tell me I “allowed” men to rule my life. Of course I was roped into that, having been raised in the patriarchal Catholic Church where women are still not allowed to be priests. God was always a man and because of that men were always in charge. Recovery from those old ideas was precipitated not by strong women helping me see the light, but by some very important men acting badly.

My Amazon Dot is tuned into the impeachment vote of President Trump. He’s the worst example of male dominance I’ve ever known, but he’s an extreme case. I’ve experienced Christian cultist men telling me God wanted me to submit to a physically abusive husband; a married lover who insisted I wait by the phone on Christmas for his call; a father who dragged me into fraudulent schemes; and, bosses (Gary Hart and Bill Clinton) who got caught with women-not-their-wives. To paraphrase Nancy Pelosi, “I don’t hate them. I pray for them.”

It’s true. I’ve been taught by the Twelve Steps of Alcoholics Anonymous to pray for people I don’t like (or, more likely, who don’t like me). The words I use in prayer for God’s gender are still masculine though. To be modern, I could rant publicly against male-centric words like “Lord,” or mind my manners and quietly substitute the more gender-neutral (or is it gender-inclusive?) “God.” I want to do that because these days I think of God as non-binary, neither male nor female.

I pause to see She-He-It in the yellow leaves of the honey locust fluttering down in front of me when I walk Henry-the-Dog. I hear They-Them when the crows caw. I even smell Her/Him/Them in the spring (what are those fragrant shrubs called?). These delicate manifestations of God are indeed gender-neutral.

But my senses play tug-of-war. The Bible rarely shows these versions of God. Just as I see the streets of Edinburgh when reading Ian Rankin mysteriesOIP.oB0fL0JIYA1IHyc9P5Ik4AHaEK, I see God as a man when reading the Bible. I visualize men—Jehovah, David, the king on his throne, the Father, the Lord. God the man made a covenant with David the man. David’s seed, not his eggs will rule as kings, not queens, from generation to generation. 

The subtler Biblical images of God as a mother caring for her children undergird my faith that God will always be, always live and always love. That female-male God who loves me deeper than I can visualize, who enfolds me at the still point, who sees me as perfect and lets me be. That is the God whose help I seek, whose direction I want, whose words I hear. I sing to that God.

In another world, I will know God as intersex, non-binary, genderqueer, agender, gender fluid, androgynous, bigender, multigender or demigender. In this world, I await David’s seed to change the God-man language to align with my gender neutral spirit.

The Gift: World’s Greatest Christmas Song

The Gift: World’s Greatest Christmas Song

Christina Rossetti’s “In the Bleak Midwinter” 

“In the Bleak Midwinter”, a poem by the English poet Christina Rossetti, was published under the title “A Christmas Carol” in the January 1872 issue of Scribner’s Monthly. The poem was set to music by composer Gustav Holst in 1906.

What can I give? 

Christina Rosetti gave us a personal tender poem pouring out her love for the transcendent God and later, in a rush, Gustav Holst vocalized her words with a snowy melody that perfectly acquaints us with her quiet passion. How pleased God must be with the gifts of these two artists whose 19th century lives were crippled by illness, financial despair, loneliness and depression. 

Their living legacy of lyrics and music are sprinkled delicately on the page waiting for me to sing them out from some curious reflexive viscera. As the organ introduces the tune, I nervously set my heart to sing with a childlike exuberance, “Me too! Me! Me! I want to give too.”  But what can I give? I have a terrible voice. Off-key. Tone-deaf. Dissonant. Breathless. Creaking. Croaking. Grating. I will make a mess of this magnificent carol. People will judge me. Shoot me dirty looks. Wish I’d shut it. Hope I choke. Hfullsizeoutput_48e5ate me!

He calls me to stillness. I respond in silence, close my eyes and allow Peace to rule my heart. In one second my transformed heart awakens and shakes off the grumbling in my head. I sing as loud as I can with my whole engaged core. I give God imperfect singing of this perfect song. I set my voice on an imaginary course of graceful, harmonious, angelic melody. This, I believe, is what He hears.

Oh my God, I love that my discordant heart can be stilled by Your Peace. I love that a perfect gift for You is my imperfect singing.

________________________________________

Dan Fogelberg sings In The Bleak Mid Winter HERE

Deut. T-Deut. T-Deut. Deut. Deuteronomy

Deut. T-Deut. T-Deut. Deut. Deuteronomy

Reflection on Deuteronomy?

Every couple of years my church asks me to write something for their Daily Devotions. When the request appeared in my inbox this year, it included the assignment list for the Advent writers. I sent a note to Pastor Rocky, “You get Mark and I get Deuteronomy?”

I’m not sure I have a favorite book in the Old Testament, but I am sure I have a least favorite—Deuteronomy. It has always seemed to me that this book is reserved for scholars; we lay people aren’t supposed to know its secrets.

Deuteronomy 18:15-18: The Lord your God will raise up a prophet like me from your community, from our fellow Israelites. He’s the one you must listen to. That’s exactly what you requested from the Lord your God at Horeb, on the day of the assembly, when you said, “I can’t listen to the Lord my God’s voice any more or look at this great fire any longer. I don’t want to die!” The Lord said to me: What they’ve said is right. I’ll raise up a prophet for them from among their fellow Israelites—one just like you. I’ll put my words in his mouth, and he will tell them everything I command him.

Reflection. There’s no secret in this passage. Moses tells us we are getting what we asked for, someone we can talk to, who knows what it is to love and suffer and be happy and sad. He’ll be human, a Jew and a Prophet, like Moses. And when He comes, we can trust His words because He’ll be speaking for God.

Watch out if you see a prophet coming your way. They’re not foretellers of the future. They are truthtellers of the present, who expose hidden gracelessness. Jesus is God’s Truthteller. He digs into my dry bones and pulls out the person He wants me to be. I want to be that person too. Sometimes. I often hide from the truth—fearing ridicule and silent scorn because my greatest obsession is to be normal and to fit in.

God’s Truthteller came in the form of a sassy teenager recently: “you think you’re so privileged.” she said when my wrinkled old mouth asked for her seat on the bus. God’s Truthteller told me to love her, to be a Christian, to trust Him with her words.

Prayer. Thank you God, for sending me your Truthteller, a baby I can cherish, a man I can believe, and a friend I can trust. Expose the flimflam thoughts I tell myself and give me courage to have a life of truth and grace.

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See more Daily Devotions from Fourth Presbyterian Church Chicago here.

Christmas Stress Test 2017

I floated out of Northwestern Medicine’s Echo Lab, Stress Bay 3, onto the evening sidewalk four days before Christmas. All Chicago was scampering out of work, race-walking to the bus, flocking into Gino’s East and hurrying over to Michigan Avenue for holiday bargains.

Months earlier I’d run out of breath one block into my morning walk. My mind decided since I’d been overweight my entire adult life at seventy-one years old I probably had a deadly heart problem. The doctor ordered a stress test. Before I made the appointment I tried to heal myself with a no-salt, no-sugar, no-carb diet. The condition persisted. Then I thought God might heal me—if only I could remember to ask Him once in a while. In 110x70_what_causes_heart_palpitations_slideshowStress Bay 3, injections shot my heart rate sky high, my breathing stretched to its outer limits, then it all parachuted back down. The whole test took ten minutes. I figured if I didn’t have a heart attack after that, God had absolved me of my lifelong mashed potatoes intake.

Flying high down Superior Street toward the twinkling Magnificent Mile, I came upon a two-foot long sprig of red eucalyptus looking up from the sidewalk.

“Hmm, this would be good to put in the vase I just bought for Bill.” I scooped up the sprig and poked it down through the tissue paper in my Crate and Barrel shopping bag. Rounding the corner at Nieman Marcus I spotted more red eucalyptus sticking out of the cement urns in front of the store.

“Oh, good, I’ll just lift another bunch.”IMG_0504 (1)

And there it was. Ancestral habits. Within a block I’d turned from a scavenger to a thief.

Ripping down the street toward the Water Tower it occurred to me there may be some more items for Bill’s vase outside the stores on Rush Street. I found perfect branches of red plastic berries in the four planters on Quigley Seminary’s sidewalk. I took one from each pot. Lovely.

As I came up to Oak and Rush, I stopped myself from stealing birch branches from Barney’s pots because Oak Street Bank across the street recorded activity outside. I’ve binged on enough English crime shows on Netflix to know I didn’t want to get caught on the bank’s video.

And so within five blocks of finding out my heart is not going to kill me anytime soon, I became an all-out criminal.

The next day at coffee, I spilled the beans to a normal friend. He diminished the crime saying they throw all those decorations away after Christmas anyway—trying to let me off the hook or perhaps saving himself from admitting his friend is a thief. I shared my thievery at a 12-step meeting. We all laughed as we often do whenever someone is vulnerable enough about their character flaws to tell on themselves—no letting me off the hook in that room, where God allows for admitted imperfections.

A People’s History of Chicago

kevin-coval-peoples-history-chicago

Chicago poet Kevin Coval came to a luncheon of forty older adults in the Gold Coast to read from his new book, A People’s History of Chicago. This was not Kevin’s usual audience, which is young, disaffected and enlightened high school kids from the neighborhoods. After his reading, he passed out small notebooks and pencils and asked us to write a list of what you see when you walk out your front door. Then he gave us 8 minutes to write a poem.

Kevin is the Artistic Director at Young Chicago Authors, an ongoing free workshop that meets every Saturday at Milwaukee and Division. He invited all of us to the workshop, saying “we need you.”

And so the next Saturday I climbed to the 2nd floor high-ceilinged room of bare brick walls and planked floors. Twenty chairs were arranged in a circle in the middle of the room and loose, unlined sheets of paper and pencils were in a box in the middle of the circle. This is not just organization, it’s respect.

Poet-teacher Jose Guadalupe Oliverez sat on a chair in the circle and as people emerged from the staircase, he motioned to them to join him. He asked us to state our first names, age and our high schools. A group of 16-year-olds from Crane High School and their spoken-word coach, a 19 yr old poet from Calumet City, a 16 year old Lincoln Parker home from boarding school and a 20 year old jewelry maker made up the group. I apologized, “I’m Regan and I’m old. Thank you for letting me sit in.” Jose prompted us to write lists, reading various poems for inspiration about truth and lying. He gave us 8 minutes to write. At the end, each of us recited one poem.
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Lying

I get on the bus
See a cohort
Where you goin?
To the March at Trump.

You go girl, he says
thinking I’m alive in pursuit of justice

Am I? I dress for the day
with buttons and banners
Tell others I’ll see you there!
Notify on Twitter and FaceBook

Then go downtown and what?
I tell others it works
to be in the number, to yell
This is What Democracy Looks Like

I write letters, make calls, send emails
Proclaiming the what and why
but then in silent spaces
I doubt.

Does my voice matter?
I tell others theirs does, mine does.

I doubt.
Will it get better?
for me
or you
or them
or us

Am I acting, lying?
What about the rest of ‘em?
Are we all just hoping, acting, lying?
_______________

Hot and weak at the bus stop I was thinking about the racism-felt poems I’d just heard from the young poets. A woman in a McDonald’s uniform came along complaining, “Where the fuck is the bus?” She asked if I had been to the new Division Street Target and before I answered, she added, “I can’t go there. They tore down my home to build it.”

I beseeched God, “when will it ever end?”

Acting Against Type

Acting Against Type

Sitting in my church pew for the last 45 years I’ve heard from time to time that characters in the Old Testament are types of Christ. For instance, the Jonah story — spending three days and nights in the belly of a whale before the big fish spat him out on the beach is a type of Christ because the tale is a foretelling of Jesus spending three days in hell after he died, then emerging from his tomb onto the shores of Christianity. I don’t know why all this typology is necessary to connect the Old Testament to the New or, for that matter, what it has to do with me.

Grandpa Bill Burke

I suspect looking to the past to explain the present is a natural phenomenon, one we’ve used to nail each generation’s stake in the Oregon Trail of human history. Christian typology fortifies this grand obsession. Just as actors fruitlessly try to escape typecasting by choosing roles that are opposite their types, we cannot escape the age-old pull of seeing signs of our type in those who’ve gone before us.

A cousin named Barb Violi found me a few years ago through FaceBook. My father had spoken of his sister once or twice, but  he never mentioned she had children, or that he visited them in Memphis from time to time. When I visited Barb for the first time in her home in Omaha last month, she shouted, “Oh my God, you look just like Grandpa.”

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Barb Violi with Zoe & Louie

Looking for signs of my type in them, I was hungry for Barb’s memories about Grandpa and our other relatives. There were a few similarities in the dead forebears but nothing like that of Barb herself who is a rabid Democrat, cultivates indoor geraniums, loves her Scottish Terriers, swims and rides her bicycle and has art-covered walls. Her yard is full of birdhouses and flamingo planters. We are the same type

Barb told me our grandmother’s name was Katherine. My father was the type who kept secrets. He’d never mentioned her. She was killed in a car accident when he was a toddler in Terre Haute. My son unwittingly named his daughter Katherine with no knowledge of his great-grandmother’s name. My father’s father, whose looks I favor, had a girlfriend, Stacy, whom my father secretly visited in Indianapolis. My father named his youngest daughter, my sister, Stacy. My mother, who was an east-coast snob, couldn’t have known the connection because she would never have stood for naming Stacy after anyone connected to my father. Barb disclosed that most of my father’s relatives were not the drinking type. My mother found non-drinkers the ultimate in lower life forms. The only thing lower: Midwesterners.

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The Midwest

I keep looking for some ancestral typecasting to blame for my body shape, my alcoholism, my arthritis, my murderous thoughts. Jesus and Buddha both taught that we are who we are in the moment, unyoked from the past or the future.

Adhering to this spiritual axiom requires me to act against type.

Something Fishy at the Spring Migration on the Platte River

Something Fishy at the Spring Migration on the Platte River

Something’s fishy. Is it fate? Chance? God?

On the Platte River in central Nebraska I gather with friends from Chicago for the spring migration of the Sandhill Cranes. We arrive at our rented cabin just in time for the dusk fly-in ¼ mile down the road at the Audubon Rowe Viewing Stand on Elm Island Road. On the boardwalk-like stands we parrot the 100-plus birdwatchers as they steer their binoculars toward the goose-like honking in the sky. The bugling cries grow louder as the cranes start to

appear. Thousands of birds swirl in the overhead vortex down into the shallow river with their spindly feet splayed like landing gear on an airplane. It takes about two hours for the birds to land in their overnight roosts on the sandy Platte. We press our binoculars into our eye sockets until the very last bird nudges itself into place, snuggling alongside its friends in the water for the night.

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Sandhill Crane

The long-beaked crimson-headed North American Sandhill Crane coexisted with dinosaurs, making it one of the world’s oldest bird species. For six weeks every spring, 600,000 of these five-foot tall grey beauties stop in Central Nebraska.

At dawn, Peter, Amy, Anne, Laurie and I make our way back to the riverbank for the lift-off. The cranes yak each other awake in one of nature’s most melodic cacophonies. They fly off in waves after socializing for a long stretch extending their time on the river to mid-morning. During the day they forage in the corn fields adjacent to our cabin, packing in calories for their long trip north.

Murmuring overtakes the viewing stand. The nature-loving brood from Illinois, California, New Jersey and  Florida grow collectively quiet to hear the cranes’ every cackle, trill and honk. Conversations spring up, “I was in New Jersey once. Drove out route 80 to 70 to 35 to the Atlantic Ocean.” Why do men always talk in numbered roads?

I overhear an Audubon tour guide whisper on down the line to her group, “right there, below that white roof at the river’s bend, there’s a whooping crane.” I focus my binoculars. There it is.

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Whooping Crane

There are 500 whooping cranes in the wild in North America. And I just saw one.

I run to my pals at water’s edge repressing a squeal, “There’s a whooping crane!” We are silenced by the stark white ladle-shaped body of the whooper shuffling among the blue-grey hoards of Sandhills over a mile upriver. We report the news to strangers around us, lending our binoculars to latecomers, cooing when the big white bird stretches its wings in view of our naked eyes. I whisper to Peter and Amy, “if I see a river otter before we head for home you can throw me from the plane because my life will be complete.”

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River Otters

An hour later Peter nudges me. “there’s an otter.” And so it is. Fishing around in the water, diving down and popping up, nature’s graceful pet latches onto a tangle of twigs and leaves, twirling around and around as it floats downstream under the bridge away from sight.

Yes, something happened on the Platte. Was it you, God? You, who are both fishy and honorable? You, the everlasting instant.

 

Inspired by the hymn “You, Lord, Are Both Lamb and Shepherd” (“Christus Paradox”) by Sylvia Dunstan (1955-1993) who drafted these words on a commuter bus “after a particularly bad day at the jail” where she was serving as chaplain:
“You, Lord, are both Lamb and Shepherd.
You, Lord, are both prince and slave.
You, peace-maker and sword-bringer
of the way you took and gave.
You, the everlasting instant;
you, whom we both scorn and crave.*

What Is My Work, You Ask?

What Is My Work, You Ask?

 

1962. My work is to stop laughing like a nervous little girl and start smiling like an unflappable young lady in the coffee shop on the Asbury Park boardwalk. To turn away from the seagulls fighting over dead fish on the beach and write “pancakes” and “bacon” on my notepad. To pay attention to the old telling the story of the 1934 wreck of the cruise ship SS Morro Castle on the beach. To save money for tickets to Joan Baez and Bob Dylan at the Asbury Park Convention Hall.

1967. My work is to read Dr. Benjamin Spock’s Baby and Child Care and apply its 51hjigsfuol-_sx309_bo1204203200_commandments to week-old smiles, cries in the night, a nine-month old sprinter and a child who eats only chicken. My work is to stand my ground in the whirlwind advice from mothers, aunts and grandmothers. To learn to ride a baby on the back of my bicycle. To animate words as I point to clouds, trees and cars as if I’ve never seen these things before in my life.

1976. My work is to bypass the door to the secluded basement with its graveyard of empty vodka bottles. To surrender to my new single-motherness. To trust my untrustworthy father and move from a sandy Jersey Shore cottage to a downtown Chicago highrise. My work is to know this is the best plan for a nine-year-old boy’s future happiness.

1982. My work is to dress up in business clothes, act smarter than I am, eavesdrop on everyone’s conversations in a boiler room full of political operatives, ask stupid questions and digest enough information to schedule Nancy Stevenson in places that help win votes for her husband’s campaign for governor.

1990. My work is to be a motherless child. To lament the loss of my uterus and ovaries, and, my boyfriend. To escape to Paris and London with my twelve-year old niece. To atone for all my past sins.To feign self-confidence while running the Illinois Democratic Party.

1993. My work is to take Prozac on the way to Washington to join the management class of the Clinton Administration. To imagine I have power and to hide humiliation when I’m exposed. My work is to honor the ruling class. To recognize they are human. To protect myself from evil-doers and self-promoters. My work is to mourn the loss of naiveté.

2006. My work is to shield myself and others from Cook County Government officials who believe if you are happy at your job you’re not working hard enough. To cherish those I lead for what they are today and not for what they will be tomorrow. To protect them from those who refuse to know their names.

2017. My work is to record how far my shadow falls behind me. To tell the truth about myself and trust God with where the words go and what they do when they get there. My work is to proclaim the US Constitution guarantees me the freedom to assemble publicly and express myself openly without retribution. My work is to say I love America and when the saints go marching in, oh! how I want to be in that number.

Inspired by “An Address to My Fellow Faculty,” by A. Papatya Bucak, from brevitymag.com